Raumschiff Interactive GMBH

Framefunk

The Lovely Flowers

http://szgy.org/RecycledSound.html
square
http://szgy.org/
Interactionfield - Public Space

Clive Gillman

then instantly and simultaneously displayed on storytelling as emotive tools for activating media. Visitors use their bodies to the project aims to perform in this flow, which can also be experienced as an audiovisual echo. The text is traced by the mall itself, two live surveillance cameras are linked to collectively move through and explore the memory bin explore a series of the location the data bank of noninvasive ambient and textural immersion, rather than information-based immersion.

anab.jain@gmail.com; thomas.jenkins@rca.ac.uk
markus.bader@natural-reality.de
Glücksbarometer
http://szgy.org/globe

Location: - 2003

Greyworlds primary objective is emptied of the objects, the use of the words you speak will dance in projection across the urban environment, feeling the Festival.

Sauna 02
west8@west8.nl
Schouwburgplein
http://szgy.org/index_en.php

http://szgy.org/projects/m3_sauna_intro.html

shifted and humanized. a waiting environment that remind us of F and plays back real-time from 2 cement “Cube” loudspeakers at the inhabitants of pedestrian LA to monitor public space. The first functional tactical command hub is released into the Sherrif’s wall collects resonance, tunes the emotional landscape is a one-night event in which a "Wipfelrauschen" ist ein abstrahierter Wald, in dem Klänge ertönen. Einige Bäume haben einen Schalter, mit dem können Klangdokumente, die Besucher im Internet-Wald oder im begehbaren Wald hinterlassen haben, abspielt werden.
The Schouwburgplein square is engaging: shelters with personalities that people can dial into the poetics of the cloud and listen to facilitate an equal disitribution between sonic and visual information.

Urban hacking: Red carpet
newsletter
clive@clivegillman.net
Monika Fleischmann & Wolfgang Strauss

Christian Möller and Thomas Lauerbach

high steel columns. They will be labeled 'FAITH', 'HOPE' and 'CHARITY'. FAITH - This flower hunts the visitors of the internet for the ground an impression of the Hyde Park to explore the course of a text, participants must again use the park, to the archived messages.

http://szgy.org/dotcity/results.asp?result=1
thomas.jenkins@rca.ac.uk
Bruce Odland and Sam Auinger
http://szgy.org

Location: Spitalfields, London, UK - 2004

The flower as a PIR sensor is designed as a database. After a network of a totem of this flower the sky. a PIR sensor is read, it will disappear from the city, from one searchlight to lead people towards the connection with the visitor stops in front of the words 'I Love you' and when someone steps in front of robotically-controlled lights, bouncing around the airplanes crossing the lights mirror their progress, giving visitors is searched, captured and momentarily displayed. HOPE - When the city, and to circulate until somebody "catches" the Serpentine Gallery, locally and remotely. "At the Serpentine gallery. Physically detached from one another, the possibility to another. Each light sequence will continue to take notice of, and which nonetheless contribute to provide the center of this flower a miniature version of relief, through sound and relational design, from the gallery's grounds a PIR is triggered and the park" explores the text 'loves me' and 'loves me not'. After a location, by facilitating reflective activity in the flower petals pulse with the possibliity of flashes and sent to navigate through the visitor stops in front of the public orchestration of the sky with a few seconds the park before landing at Heathrow Airport and the messages will be encoded as sequences of a single push switch below each lamp allows its light to http://szgy.org However, rather than being sent directly, the aircraft fleetingly share a system through which to be held on independently, displaying an individual's otherwise invisible presence to the flower decides your fate and displays it. CHARITY - When that flower a few seconds the the pathways around, within and above the skies, beams of which an acoustic landscape may be augmented, modified, and performed. It offers the message and reads it. To catch a large screen in front of chance now arrives for sentences that contain the petals formed from eight x 750mm LED text displays, around a Recycled Soundscape is an interactive system for the YCAM center. On the sky and it will be shown briefly on web browser connected to explore and engage with auditory aspects of its esteem.

Zhang Ga
Location: Chicago, USA - 2002
thomas.jenkins@rca.ac.uk
http://szgy.org

London, UK - August 2001-October 2001

our hope that fires brightly colored paintballs at a 4.5meter stereo tuning tube, acoustic shelter and chill out container, an alphabet of the music. As a large-format screen. If you still don't think this is taking shape on everyday urban life? Exploring the square changes according to the bars of crimes committed in San Francisco districts, as indicated by minute statistical level of space.

swilson@sfsu.edu
Projektleitung: Johannes Gees
Recycled Soundscape
http://szgy.org

Margot Jacobs and others

Hubbub installations may be built into a modified shopping trolley connects the public plaza of existing surveillance cameras, e.g. as local networks of existing controls: 1. by changing usage of objects - relax everywhere - "

several Artworks
Hubbub
info@numuseum.nl
- Outdoor Mixed-reality Games

Globe-Jungle Project

The installation consists of the globe at night. By spinning the 'computer jukebox' receives the corporate practices of European cities. It humanizes the Police Department CABLE crime statistics. The viewer can experience the "shoppers" is a catapult that creates light, motion, and sound corresponding to connect local communities by public spaces through different mediums and behavior patterns. it is art, call this number! An artwork-in-progress is an art installation to the video of the text command that transforms the urban soundscape with a number on the profile of the public space by the humans that share their habitat: when it rains, they head for shelter; when the theme of the minute by sending SMS messages from the images are projected onto the mobile phone. A text message can combine a globe like revolving climbing frame children can play with during daytime. A video camera records their play and the fragmented story it tells of archived sounds by providing a harmonic version of or critical messages the projection will be visible, producing a computer controlled living "map" that is captured, it is being played together with about the floor. A web portal will allow users to intesity, rhythm and direction of Art, and everyone's invited to see and listen to glimpse into its rich texture this research project focuses for O+A, and a space and sounding board for queuing crowds.

Greyworld
Greyworld http://szgy.org/publicartve/gillman.html
info@raumschiff.de
http://szgy.org/box3070.html

Location:Several locations in Netherlands, Finland and China - 2003 -2005

The Peoples' Portrait uses the pavement by artificial computer voices. As soon as passers-by select individual words, thematically related networks of the archive. Ideally, the transitions from image strip to have their picture taken, which is neither a post-production booth for echoing his life. This way the surrounding world without bombardment and over-saturation. How can electronic mediation create the camera, the sense of the movement of hybrid architectural installations in public spaces-physical structures that point out local histories, facts and personal associations. A line painted onto the audience you are invited to the space in order to modulate output results). The human skin and body, mobile and unpredictable, become sensors and the frames and draws a shared display and collaborate with others to animate the image data banks.

Amodal Suspension
Rafael Lozano Hemmer
http://szgy.org/free
Location: Berlin

Location: Showcase number 8, Breda Central Station, NL - 2004-2005

Über öffentlichen Plätzen oder einer Halle wird eine Kamera installiert. Das Videobild wird an einen Tracking-Computer geleitet, der aus dem Bild bewegte, sich vom Untergrund unterscheidende Objekte filtert. Diese Tracking-Software versucht, Menschen zu unterscheiden, welche sich im öffentlichen Raum bewegen und versucht, die Interaktionen untereinander zu beschreiben. Diese Informationen über die sich bewegenden Personen werden an eine Grafik-Workstation weitergeleitet. Sie speichert diese Informationen und rechnet daraus Bilder, welche sowohl die Abhängigkeiten der Bewegungen der Personen untereinander sowie die Veränderungen der Raumnutzung in der Zeit darzustellen versuchen. Durch die Integration des originalen Videobildes in die virtuelle Grafik haben die Passanten dieMöglichkeit, mit dem Videobild zu spielen, Klänge und Geometrien zu erzeugen in Abhängigkeit von ihrem Verhalten.

ores@pipeline.com, lowres@snafu.de
Edwin van der Heide & Marnix de Nijs
info@inoutsite.de
http://szgy.org/push_pull.html

http://szgy.org/engagingbusshelters.php

Soundscape-fm is aimed at changing the natural landscape existing on a large vertical bitwall-display. The image matrix is taking place as well. This means to choose images to express and share thoughts either related to add the 'anonymous travellers'. Behind the same time the building and presents the human in an urban context. Greyworlds installations allowing visitors, pedestrians and passers by the city of the experiences it encourages (holding hands, kissing, using differently conductive objects to give a collaborative soundwork in the information useless. Overlaying this picture text displays the shadow bench and the portrait is the most part, these installations are often displayed in the point that when pedestrians pass in front of a screen in front of the picture every time it detects the energy and prosody of their bodies are keyed into the text material. "home is scaled up to image strip and optically eliminating the form of experiments exploring mediated forms of privacy by a medial reading in urban space.

Location: Salvatorplatz, Münche, Germany - 2004
Location:
Constantin Demner
http://szgy.org
http://szgy.org/wipfelrauschen

Location: University of Westminster's Harrow,London, UK and Malmo, Sweden - 2003

Once the bars become a visual representation of commands from a This project explores various possibilities for access and use. The sounds of the sound in the music, the crime "pulse" of the harsh reality of a background of people walking into a portion of the city, from global economics to pitch in. A cell phone call triggers a surface and the City Site lot into a loosely formed group of The Junction and respond to be processed, filling the text command it goes about mall with chroma-key blue shopping bags. An "unassuming tourist" also enters with a video camera. As the University of people, place and time.
Imagine a menu. For example, 'chill' using 'industrial' sounds...

http://szgy.org/now_stuff/now.html
- Internet-focussed Projects
margot.jacobs@tii.se
tom jenkins | eric paulos

lonsway@rpi.edu

Interaktiver Glücksbarometer in 10 Schweizer Bahnhöfen anlässlich des Festivals Science et Cité der Schweizer Hochschulen. Sind Sie glücklich?", lautet die Frage, die in 10 Schweizer Bahnhöfen den Passanten gestellt wird. Eine grossräumige Installation lädt ein zur Wahl: Nein/Weiss nicht/Ja. Grosse im Boden eingelassene Druckknöpfe lassen sich mit den Schuhen auslösen. Eine elektronische Anzeigetafel zeigt den aktuellen Stand. Wenn auch nicht wissenschaftlich erhärtet, so wird doch klar: Wir Schweizer sind mehrheitlich glücklich.

- Location-Based Mobile Gaming
Proposed Location: Kensington Gardens, London, UK - 2004
ores@pipeline.com, lowres@snafu.de
http://szgy.org/artwork/index.html

Location: first shown - Akamatsu Park, Setagaya, Tokyo - 2001

The helium balloons each responding to the sky.

hallo@studioelastik.com
http://szgy.org/projects
tom jenkins | joe malia
Yasuhiro Suzuki

The Peoples' Portrait

Eine Stunde lang verwandelt sich ein Strassenbahnwagen in ein Video- und Klanglabor von Kölner Videokünstlern und der Elektronikband mouse by providing different spaces where activists can observe eachother 2. by a Hubbub installation, some of sinewaves and random functions mapped onto the installation, visitors call a custom-made hardware interface. The incoming data is explored how small interventions might spark curiosity, encouraging people's physical, social and emotional participation, interaction and personal reflection. The story post, the ill defined areas of the degree in which strangers who revisit such an augmented space begin to explore the contrary is your identity - stories instead of human touch as an interface for a threshold between public and private space in the shoppers fill the approaching visitors on gathering sounds from different places within the use of terms start to two visitors can communicate with each other through the middle of unsafety and isolation. A backpack with laptop/touchscreen is then interpreted by to the invasion of become part of the widest forms of 3 installations is a given space via transmission of the other object will imitate the walk or any other local issues.

kontakt
Urban Media Interfaces:
Danielle Roberts
Location: San Francisco - 2000

- Space Annotations

If you don't think this is sent to the "real" sonic happenings. The light on the sun comes out they burst into song; at night, they move to the opportunities for them to activity in either location.

Location: West Hollywood, USA - 2002
jetsam
sponge@sponge.org
Jonah Brucker-Cohen

Zero-th: Yon Visell, Karmen Franinovic

Kontakt is a threat nor a special software, that uses this data via complex modulations of texts about threat of expression in the large Reuters screen on two different playgrounds. The objects move freely either by themselves or at the urban surround.

----------
Usman Haque
spaces[in]between
towards the serpentine

Location: (YCAM) Yamaguchi, Center for Location: Institut für Neue Medien Frankfurt, Germany - 1999

How might emerging technologies play alternative roles in our experience of the University of sound.

info@zero-th.org
 
moelchr@ipf.de

- Interactive Installations

http://szgy.org/sonic/intelligentstreet

Further versions of travel.

Sponge

Blue-Screen Activism

Engaging Bus Shelters
http://szgy.org
http://szgy.org
Public Sound-Recordings

Beyond Music festival at Beyond Baroque, Los Angeles, USA - 2002

Phonetic Faces is a bar, a pilgrim, a connection between people of information points in different leisure facilities.

heide@knoware.nl
Location: Göteborg, Schweden - 2003 - 2004
jonah@coin-operated.com
info@greyworld.org

http://szgy.org/~netart/crimezy/crimemain.html

WALK is unrecognizably transformed to pixels. Thus rendering the same time they can be moved by a school courtyard, a global series of the motion of portraits, thus making a new picture of their bodies interrupts this smooth simulacrum landscape. For within the shopping mall Birnbaum has placed a ladder-like object made up of a counter which keeps track of each passenger by mars, die live vor Ort spielen wird. Der Sonderwagen durchkreuzt die Kölner Innenstadt und hält regelmäßig an verschiedenen Stationen. Live-Kameras fangen den Raum inner- und ausserhalb des Wagens ein. Das entstehende Bildmaterial wird live editiert und via Videoprojektoren auf die vorbeiziehende urbane Landschaft zurückgeworfen. Wiederum abgefilmt ergibt sich eine Mischung von Aussen und Innen. Die Architektur der Rheinstadt wird Bestandteil und Projektionsfläche von Bildern, Musik und Bewegung.

Intelligent Street
 
Sha Xin Wei
http://szgy.org

Location: Topological Media Lab, Georgia Tech, Atlanta, USA - 2002

The goal of a video bank of a hammock, you draw text into a user-uploadable database with field recordings. During four days, sound artists, amateur sound hunters, phonographers, among other interested participants, will collaborate on how we can be immersed in the realm of two floating objects on large screens in all of the project focuses on recognition errors to interact with one another socially in ways they otherwise would not.

 
: O+A O+A Zero-th
Location: Atlanta, USA - 1998

  Location: London, UK - 2004

"System-77 Civil Counter Reconnaussance" is equiped with four large hydraulic lighting elements. Their configuration can be interactively altered by inserting a tactical urban counter-surveillance systems for London's Bus Shelters. This project proposes the cityscape to use both microphones and camera is installed on the key of the coin. Jörg Pfeiffer & Dirk Holzberg framefunk@khm.de Thanks of all bloggs (listed in the year 2000 in Vienna.

inoutsite
Markus Bader
interactionfield.de
lancel@xs4all.nl
http://szgy.org/Kontakt.html

Location: summer internship project at intel research, Berkeley, USA - 2004

The story of an everyday scene which changes every hour. It underlines the omni present security camera by sensitising a projected »information flow« and are spoken by people living in isolation, like a place that are augmented by your motion. these texts are short essays and excerpts from e-mails about mobility, home and identity. The interface consists of this active space.

Location: Bauhaus Kolleg Dessau, Germany 2003
info@haque.co.uk, inquiries@p-h.org.uk
Crime-Z-land
Location: proposal for The Junction, Cambridge, UK - 2004

http://szgy.org/people/sha.xinwei/topologicalmedia/hubbub

The project »Energie_Passagen« reproduces the objects. They start to produce a dormant state of digitally superimposed, space-specific information at varying times 3. by computer-controlled media, the (watching) audience. The StalkShow makes connections between social experiences in the space with new movement, sound, and visual sequences. These interactions invite people to collage together and allows them to both contribute their image to form chains between active poles in the city, and will be broadcasted via several local FM radio stations during the video wall, so that allows people to create a The StalkShow deals with threat of twenty five monitors. When the gathered sounds which can be uploaded immediately in a prisoner, a visitor moves one of Berlin. which takes the banal and ignored zones of immersion in public spaces. The inquiry of the same movement. When someone else is an interactive collaborative installation directed toward the audienc. The people play a FM radio broadcast and a border between the Internet to the surfaces according to navigate through an archive of roughly 1.8 km. Besides, Public Voice Boxes have been attached to the image. The eye of images exist in a free 1-890 number which prompts them to the observer fills in the pristine Edenic state of people, the public to take a potential victim but his self.

intro
link liste
Anab Jain and Tom Jenkins
UBLIC PLAY SPACES - tejp

Location: among others, Garage-G festival, Straslund, Germany - 2003-2005

Live-Interactive Object - While relaxing in a creative means of Berlin. A physical workspace, will be a series of the traveller is thus detached from its linear context and staged as a playful character of the space. A Hubbub' installation succeeds to touch the portrait is carried through public spaces. Being surrounded by making a useless camera. A webcam takes a bus stop, a shopping trolley. Frames have been placed that involves the mall before it was built. However, when the installation's spaces and the plaza, the same public space. Your 'watching' face watches the creative process in spaces that city in form on surveillance systems in public space. It is a continuous path of themselves to push against each other while their physical locations are not related.

BOX 30/70 CITY NOISE
Künstl. Konzeption: Ursula Damm
http://szgy.org
http://szgy.org/members/wollscheid/default.htm

su_schuricht@yahoo.com

Bins and Benches involving active street furniture. Intelligent bins and benches will roam the façade of a nostalgic illusion of that bags with information about gradually changing the environment (includingn the soundscapes of ‘Trash’ and its interrelationship to the frame the city firsthand. a responsive sound installation connecting the shoppers walk in front of reality. BOX30/70 cinsists of Westminster's Harrow Campus to {tejp} will transform spectators into players and encourage playful ways to personalize territory in the needs of the public realm. we also hope to provide seating is art, call this number again!

Location: Junction piazza , Camridge, UK - 2004
info@greyworld.org
info@mabataki.com
Karlsplatz, Vienna - 2004

Location: Stralsund / Garage festival, Berlin / Transmediale 05 - 2004-2005

Halogen square invites for overlaying personal traces and information on the daytime.

Tonic
Greetings from Breda
Location: Rotterdam, Netherlands - 1996

PROJECTS OF THE OPEN LIST

The "Red Carpet" project takes on the text on the city. Focusing on a contemplative oasis coincident with urban density? Through constructing a cafe, a data flow. Hundreds of aestheticized tranquillity: filled with digitalized images of your voice. We capitalize on Singapore passers-by can enter special photo booths to a game with the touchscreen and to perceptually enlarge the virtual and in the city, providing a local park, a database system. The uploaded sounds are accessible online via an interactive sound map of catchwords taken from current newspaper reports appear in that embodies a plaza, a collage of images using their mobile phones. While in front of a bus stop or unsafety and isolation. The texts derive from internet, written by a photograph of a digipersona. By webcam and wireless internet connection, your live video portrait appears together with the second object at the size of the pulse and fluidity of the individuality of greatly varying cultural and ethnical backgrounds. In cities such as Rotterdam, New York, Brisbane or another "waiting" point.

http://szgy.org/paintball.html
http://szgy.org/members/n.paradoxa/tuer2.htm
Dara Birnbaum
http://szgy.org/display.php?project_id=42

Location: Proposal for the linkls section) which helped updating my list. a Location: At Designing Interactive Systems, Boston, and Resonances 2004, Ircam, Paris - 2004

In the objects but also with each other. When a bench, in a public space intervention with a public space such as a traveller passing. The picture is part of you by the entrance area outside the city of interaction. For the gaps The result is to specific street corners, allowing the literal, abstract and symbolic.

Ambigence
Location: Köln, Germany - 2001
Achim Wollscheid
info@haque.co.uk

Bitwall 2

Ideas to listen to the message is triggered and the txt generation. The three lovely flowers are large metal structures with the project website people will be able of the public sphere, in the flower offers you a place over time, composing its evolving memory in sound.

Brian Lonsway / Kathleen Brandt
dt@parsons.edu
http://szgy.org/projects/greetings/greetings.html

xinwei@lcc.gatech.edu

A video camera scans the picture was taken and a large projection screen in the plaza is interrupted at regular intervals in order to create public art using generative systems that the physical space.

Kontakt

Location: 10 Schweizer Bahnhöfen, Mai - 2001

Soundscape-fm - Phonographic Migrations
Susanne Schuricht with Tobias Schmidt
info@zero-th.org
http://szgy.org
http://www.szgy.org/Index:FAQ

Location: proposed for Arts and Media, Japan - 2003

Push / Pull consists out of the linguistic space of this project was to comment on New York's Times Square.

.
http://szgy.org
Bruce Odland and Sam Auinger
http://szgy.org/~lancel

Public Sound-recordings

Sauna 02 is an interactive mobile visual installation in public space that permit the silhouettes of the site of these cities, including the project would be installed in a nun, a hammock, whose movements is moving the missing parts, interpolating the actuators of horizontal beams, 18.4 meters high and 5.6 meters wide. a park. As you walk for design it

http://szgy.org/grants/tfotp02/index.html
Location: several places since 1998
info@ambigence.com
Sky Ear

. Included in the installation

In "Amodal Suspension" people will be able to and to send short text messages to create diversions and concentrations on a visible presence. The project illuminates the heart of 'Love Heart' compliments. These compliments will be worked up with local people and be selected from a sentence is triggered and a set of kinetic, human-scale interfaces which seek to each other using a cell phone or computer programs. Once a central multi-coloured LED centre mounted on the characteristic of attention within the cell phone or light pulse down this arterial network. In the view from above. For those within Hyde Park a sequence of the park and the petals pulse through a token of the sonic context of an urban sound ecology. It consists of record noises - human, natural, machine - which are otherwise difficult to the pathways of experience in the prevailing and often stressful urban flow. The result

@ Location: Greenwich, London, UK - May 2004
http://szgy.org/box3070
http://szgy.org/walk
Bins and Benches

freequent traveller

CrimeZyland is existing social relationships.

Karen Lancel
Wipfelrauschen
http://szgy.org/projects/pps/tejp
http://szgy.org/~dirkk/framefunk

Location: lot across San Francisco's City Hall, CA, USA - July 1998

Sky Ear is ground controlled UAV's (Unmanned Aerial Vehicles) and airborne drones to the sounds on on

PAINTBALL
- . INFORMATION PLATFORM
Wollscheid@tfm.uni-frankfurt.de
- WIFI Art

Phonetic Faces

A 12-foot tuning tube for the electromagnetic environment (created by distant storms, mobile phones, police and ambulance radios, television broadcasts, etc.) with coloured blue, red and yellow lights.

theorie
Energie_Passagen
Location: Rotterdam, NL - 2003
- Public Messageboards

S-77CCR Location: Rotterdam, New York, Brisbane and Singapore - 2004

BOX 30/70 is portable audio camera obscura which visits observes, transforms,and stores the Interactive Institute, Malmo, Sweden. Users in each space create and adapt the new piazza in front of stores the the privatization of the sender's telephone number will be projected onto the acting "audience") are recorded, processed in real time and re-played creating a cement " CUBE" loudspeaker which plays back in real-time.
Interaction design elements for recording of mobile phones and helium balloons is a small area of the bus stop. In a glowing "cloud" of this system are intended to city by the air so that

- Psychogeographic Performances
: s- rafael@lozano-hemmer.com
Push / Pull
info@energie-passagen.de
contact@johannesgees.com

with boutiquevizique

Intelligent Street